Monday, 15 September 2014

The Merry Dancers - a work in progress

'The Merry Dancers - Work In Progress

Once upon a time, when we moved into our first house together back in N.Ireland, S had painted an abstract painting on a really long canvas to hang in the kitchen. This was back in the day when, I'm ashamed to say, I had to have everything in each room all matchy matchy and colour coordinated. We painted abstracts for each room using shades of the actual house paint that we'd decorated the rooms in - how very 90s of us (even though this was in 2006!!)Anyway, when we redecorated the kitchen a couple of years later, I held on to the canvas in case I ever decided to re-use it.

So, a few weeks ago I was having a hoke around in my art supply cupboard and noticed the same canvas hanging around at the back. I decided to carry on with the upcycling canvas theme and brought it out to try my hand at my first ever very large landscape. I wanted to do a painting of the Northern Lights as S had taken some great shots when we had the amazing display earlier this year. I only had a tiny tube of hot pink paint and that quickly ran out so I had to relegate the barely started painting to the garage while I ordered some more from Amazon.

I sort of put it on the back burner then while I got on with other stuff but this weekend, I happened to walk past it in the garage and got struck with the urge to do some more work on it.

I set it up on a standing easel and I discovered that an unexpected advantage to painting standing up is that I can dance round the sun room to the eclectic mix of music on my iPod while I paint - I even kept my phone in my pocket so my pedometer app could count my steps from the table where the paint was to the canvas and back again!!

This is just a sneaky peek of where I'm at with it so far. It's a bit of a mixture between acrylic modelling paste to give the beach and land mass some dimension and then impasto acrylic applied with a palette knife and textured with my sponge dabbers - I even got the big ones out for this piece!

I'll be starting another pet portrait this week so this may take some time to finish in between other things but it doesn't matter as this is a personal project - we're finally in the process of redecorating the living room of the cottage (it's been the same since we moved in) and as I no longer believe that art has to match the sofa this will be taking up residence above the fireplace (if it turns out okay, that is!)

Thursday, 11 September 2014

It's (still) a long way down...seascape in acrylic

This week I finished another pet portrait commission but the client is on holiday at the moment and hasn't seen it so I'll need to hold off on blogging it just yet. 

Also this week I gave another of my impasto landscapes (or seascape actually) a sponge-over and again I'm pleased with how it turned out. I liked the old version at the time but there's just something about that sponge texture that I really like. 

Orkney+Scotland+landscape+seascape+acrylic+texture+Nicola McLean artist
'A long way down' (again) - textured acrylic on box canvas (5x5 inch)

This was it before:

Here's a wee close up of the sponge texture on the re-vamped piece:

I've been thinking about Christmas - I know it seems ages away but it's time to think about cards and whatnot. I've got some of my previous designs in my Etsy shop but I'm thinking it's time to create some new designs. I have a few ideas but whether I can get them from my mind to the page successfully is another matter entirely. Watch this space. 

I'm linking up with Paint Party Friday and will endeavour to visit as many other blogs as I can over the weekend. 

Monday, 8 September 2014

A blog hop and Stormy Strathy Revisited

Strathy+Sutherland+Scottish Highlands+Acrylic+Impasto+Nicola McLean Artist
'Stormy Strathy' given a 'sponge over' - 5x5 impasto acrylic landscape

In between pet portrait commissions I'm still working away at miniature landscapes. I've got so much inspiration all around me and so many wonderful photographs to work from.

This one is actually a do over of one that I did back in May. This is what it used to look like:

The original Stormy Strathy

Ever since I discovered the texture that my little sponge dabbers give I've wanted to have at my previous landscapes and give them a 'Sponge over'. So I set about this one last weekend and I have to say I do prefer it now with the sponge texture. I'm planning to do the same with the other landscapes I've done, before doing any new ones. 

In case you might be wondering what a sponge dabber looks like - this is a bunch of them drying on the kitchen windowsill after a painting session:

Believe it or not that's after they've been washed! I'm quite hard on them so it's a good job they're cheap as chips!

Strathy+Scotland+Acrylic+Landscape+Nicola McLean Artist

I mentioned on my last post that Sandra nominated me to take part in a blog hop where I have to answer specific questions on all things art and then nominate three other art bloggers to do the same. The questions are:

1. What am I working on?

Currently I'm working on several different things. I have a few pet portrait commissions lined up so they are the priority and once they're completed I'll be back to working on my series of miniature landscapes such as the one illustrating this post.I also have the second of my 'sweetie' paintings to complete - this one is of a bowl of licorice allsorts and I'm looking forward to getting into that as it's something new for me. 

2. How does my work differ from others in my genre?

Well, firstly I'm not even sure what my 'genre' is so I'm not entirely sure how to answer this question!

Obviously animals are my main subject matter and I suppose I would say my paintings are realistic but with a healthy dose of whimsy as they certainly don't look photo-realistic but nor would I want them to. Even though I admire that technical ability in other artists, I like my art to look like a painting with obvious brush strokes and more vibrant than real life colour palettes! 

I love landscape paintings, for this reason, where the focal point is the colour and drama of the scene rather than the scene itself, if that makes sense - more the impression of a moment such as sunrise or a stormy day and the effect that has on the landscape than the landscape itself.

Colour and texture are becoming increasingly predominant in my art - I love a tactile painted surface and bright vibrant colours whatever the subject matter.

3. Why do I create what I do?

I think I might have answered that in question 2! I'm passionate about animals and they will always feature in my art in some form or another but ultimately whether it's a dog, an amazing sunrise or a rain drop on a leaf, certain things will just attract me, like a magpie to shiny trinkets! I imagine I'm like many creative people in that wherever I go I look at things all around me and instantly visualise it as paint on a canvas and that's why I'm glad of the invention of camera phones so I can always record what I saw and store it away for inspiration at a later date. (That, and my pedometer app which calculates all the steps I take as I walk along these stunning landscapes!)

4. How does my creative process work?

Ha, this is where I show myself up as a self-taught rather than classically trained artist. I don't have a process. I don't do lots of sketches beforehand. I work from photographs because I'm either painting an animal (and they aren't known for sitting still for long) or a landscape and I'm not inclined to sit outdoors in the Scottish weather to paint!) 

If I'm doing a pet portrait for example, I simply sketch it out on the canvas or paper in pencil and then have at it with the paint! I noticed when I did my first time lapse video that I move around all over the painting rather than focussing on one area and I go over and over the same areas a lot building up layers and layers of colour to add depth. I'm sure there is a lot I could learn about tone and shade which would improve my work but at the moment I simply apply paint until I'm happy with it! 

I always photograph the work in progress after each painting session and from that photo I'll instantly see areas that need tweaked that, for some reason, hours of staring at the actual painting didn't reveal. 

Whilst all paintings are essentially the artist's interpretation of the subject, with my portrait work I aim to capture the physical look of the animal as well as their unique personality whereas with landscapes I am much more free to create the mood of the piece with colour and texture. I'm finding I'm in my element creating these landscape paintings as there are no expectations from anyone else as to what the end result should look like. 

With the landscapes I apply acrylic modelling paste to the canvas with a palette knife, to give the painting more dimension and then I simply add paint with my sponge dabbers, letting it dry between colours and adding more until I create a feeling of depth and again I simply keep going until I'm happy with it. There really is nothing more complicated to my process than that!

Now, I have to nominate 3 other artists to carry on the blog hop and answer these questions on their blog.

I have met so many artists online, all with very different styles and techniques and it isn't easy to choose only three but here goes:

Morag is a mixed media artist and she creates wonderfully vibrant pieces inspired by the Isle of Skye where she lives using all sort of techniques that I'd never even heard of! I am drawn to the subject matter, texture and colours of her work. 

Marji also uses a technique that I'd never heard of until I discovered her wonderful art via Paint Party Friday. She is an encaustic artist and again I'm drawn to her work because it is so wonderfully vibrant and textured regardless of the subject matter which varies from animals to still life and human portraiture.

Angela Simpson

Angela is a very talented artist who I've actually met in 'real life'! We both moved up to the far north of Scotland in January 2013 and met by chance at the animal shelter one day early on. Angela has a wonderful traditional style specialising in pet portraiture and sheep and makes oil and pastel look effortless.

I hope you'll pop by and visit these artists if you haven't already met them in blogland and hopefully they'll keep the blog hop going with answers to these questions as well. 

Thursday, 4 September 2014

Monty the Cockerpoo - a pet portrait

Things that happened this week:

I finished Monty's portrait.  Here it is:

cockerpoo+pet portrait+acrylic+mini canvas+Nicola McLean Artist
'Monty' a cockerpoo - acrylic on 5x5 inch box canvas

I really enjoyed doing this portrait - funny enough I found painting curly black fur easier than short pale fur and the shadows on his tongue were a real challenge but I'm pleased with how it turned out. 

I did start to do another time lapse of this painting in progress until day 2 when I tried to start the camera without the aid of S who had gone to work and due to technical difficulties (i.e me not realising I had to switch on the remote control sensor as well as the camera) I couldn't get it to work so had to go on painting without it! Hey ho, I'll try again with the next one.

cockerpoo+pet portrait+acrylic+mini canvas+Nicola McLean Artist

Speaking of which, next up is the camera shy Scooby, friend of Scrappy whose portrait I did a few weeks ago. Scooby's person was finally able to capture him on camera and so I'll be starting his portrait later this week. I'm also very pleased to report that I currently have another 4 pet portraits lined up once Scooby is finished including of course, the winner of my give away which I announced on Monday. 

Sandra nominated me to take part in a blog hop where I have to answer specific questions on all things art and then nominate three other art bloggers to do the same. The questions are:

1. What am I working on?
2. How does my work differ from others in my genre?
3. Why do I create what I do?
4. How does my creative process work?

These blog hops happen on a Monday so please do pop back next Monday if you'd like to read my answers to these questions and to find out who I've nominated to keep the blog hop going.

cockerpoo+pet portrait+acrylic+mini canvas+Nicola McLean Artist

I may have mentioned once or fifty times that I am a big fan of Paint My Photo as a reference site for artists looking for specific animals, places, people, flowers, whatever to paint. Well, earlier this year one of the members, Cheryl, mentioned that she was putting together a calendar for the BSPCA (Bahrain) and asked for submissions of animal art that folk had painted using photos from the website. Cheryl has been hard at work putting together a really wonderful calendar for 2015 made up entirely of animal art and the proceeds will go to help the rescue animals at the BSPCA where she volunteers. I'm delighted that my little rabbit painting is included in the calendar together with other very lovely animal art. It'll be going on sale in a couple of weeks so I'll add a link if anyone would like to purchase one.

Oh, and the exciting news that I'm bursting to share with you? I've got to sit on it until the END of September - gah!!

I'm linking with Paint Party Friday and will look forward to visiting as many folk as I can to see what everyone has been up to this week. 


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